Seema Raja (English: King from an outside domain) is a 2018 Indian Tamil activity dramatization movie composed and coordinated by Ponram and created by R. D. Raja. The film stars Sivakarthikeyan, Samantha and Soori in the number one spot jobs, with a supporting cast including Napoleon, Lal, and Simran. The film highlights music made by D. Imman and cinematography by Balasubramaniem. The film was discharged on 13 September 2018, matching with the celebration of Vinayagar Chathurthi. The film generally gotten negative audits and it is the principal flop in Sivakarthikeyan's vocation.


Seema Raja
Cast: Sivakarthikeyan(Seema Raja), Samantha Akkineni(Suthanthira Selvi), Simran(Kaaleeshwari), Lal( Karikkada), Napoleon(Ariya Raja), Soori(Andisamy)
Director: Ponram

Rating: 1.5/5


Movie Review: Seema Raja falls in that uncommon class – a film so awful that it is great. The Sivakarthikeyan movie is an unfortunate casualty to its own desire – it could have been a superbly decent satire yet by confounding the jokes and adding activity to it, chief Ponram makes it an unappetising hodgepodge. Alauddin Khilji shows up and the spotlight is shared by Baahubali like settings and Soori's well defined abs; bewilderment pursues, obviously.

Seema Raja winds up trivializing even the genuine minutes because of its impulsive need to engage gathering of people consistently. The reason of the film, the rulers and rulers of 21st century, is lost in interpretation. It is hard for the gathering of people to take Sivakarthikeyan as an advanced ruler genuinely when chief himself can't sell the thought. The change from our legend being a millennial desiring online networking regard for a ruler who adores his territory and individuals is difficult to process.

Ponram's past movies with Sivakarthikeyan, for example, Varuthapadathey Valibar Sangam and Rajini Murugan, were engaging simply due to their cleverness. A similar amusingness turns into a hindrance in Seema Raja in light of the fact that the executive neglects to segue the two altogether different plots agreeably.
For example, we see there is ill will between Puliampatti individuals and Singampatti individuals in Seema Raja, a string whenever investigated further could have added profundity to the film, rather what we get is Alauddin Khilji going down south from Delhi to swindle a ruler!

The time spent on this piece of the film, and the exertion, is unmistakably obvious. All alone, the account of the Pandian lord Kadambavel Raja has merit as well. The issue is the point at which this part is decreased to being a bolster of sorts to Seema Raja's prosperity. An amusing back story would have been more tuned in to the disposition of the film.

Seema Raja fills one need however – it takes Sivakarthikeyan's profession circular segment forward. The performing artist has officially demonstrated that he can do satire, sentiment and activity and now he demonstrates that he is prepared for the following dimension of fame. Seema Raja, in that sense, enables Siva to assume various jobs as the main man. The film isn't so obliging to its driving woman, Samantha Akkineni. Her character, Suthanthira Selvi, is a Silambam instructor who can deal with any predicament easily. It is a significant killjoy when we see her playing a maiden in trouble later.

Simran plays the stereotyped vamp in the film. She is depicted as home wrecker who allures a wedded man. She has the temper of Kaali, her identity named after, and she craves control. This character has potential however the film won't mine it; what we get rather is showy behavior and dramatization.

The name of Soori's three spouses - Jil, Jung, Juk – depends on a chauvinist joke from a Vadivelu films is grinding and heartless. The film was advanced as child neighborly so it beggars the inquiry if having different spouses and utilizing them as infant making machines is viewed as interesting by the producers. Rather than demonstrating any regret with respect to Soori's character, we see him wedding for a fourth time toward the finish of the film. What's more, in that lies the film's concern – its roar with laughter minutes are exceeded by face palm minutes.