Mariyaan Movie Images |
Director: Bharat Bala
Rating: 7.2/10 IMDb
Released On: 19 July 2013
Produced by: Viswanathan
Distributed By: Aascar Flim Pvt Ltd
Distributed By: Aascar Flim Pvt Ltd
Music by: A.R. Rahman
Running Time: 2hrs 33min
Language: Tamil
Running Time: 2hrs 33min
Language: Tamil
Cast:
- Danush named "Maryan Vijayan Joseph"
- Jagan named "Sami"
- Parvathy Thiruvothu named "Panimalar"
Mariyaan Songs Download: Click Here
Movie Story: Maryan goes to Sudan to work in an oil organization to pay back an advance loan taken by Thomas (Salim Kumar), the dad of his sweetheart lover Panimalar (Parvathi). While on his way back to India, he and his company workers are abducted by kidnappers. Not all survive the difficulty.
Movie Review: Bharat Bala, he of the devoted video melodies and English film 'Hari Om' acclaim, makes his presentation in Tamil with 'Maryan' (which means one who never passes on). Drawing motivation from the genuine story of three oil laborers who got away from their ruffians in Sudan, he weaves a wonderful however extraordinary story, commending the intensity of affection which makes legends out of customary men. The screenplay, by Sriram Rajan and Bala, focuses on the bond among Maryan and Panimalar, giving the motion picture its compelling enthusiastic center. What's more, fortunately, as opposed to lauding Maryan as an overwhelming legend, Bala demonstrates him as a conventional angler who transcends his conditions and battles for opportunity, on account of the conviction his sweetheart rests in him.
Each one of those in Bollywood raving about Dhanush's presentation as a lovelorn youth in 'Raanjhana' should watch this motion picture to discover what he is equipped for conveying whenever given a solid content and an elegantly composed character. One simply needs to see his charging execution in the scene where he is approached to call up his managers to request cash yet calls up Panimalar rather or in the scene where, denied nourishment and water, he and colleague Saami (Jagan) fantasize about eating mouth-watering fish at home and smoking a cheroot after the wonderful supper. In the event that 'Aadukalam' was a milestone in the entertainer's vocation, 'Maryan' makes certain to stamp another achievement.
Parvati Menon is the other mainstay of the film, and concocts a shining presentation. At the point when Maryan is seized, first comes stun, which gradually changes to conviction that he will make it out alive from imprisonment, and it is such a joy to watch her depict these different feelings. Her expressive eyes show how profoundly she is infatuated with Maryan, and the amount she pines for him in his nonappearance. The camera of Belgian cinematographer Marc Koninckx is by all accounts in adoration with her, for she has never looked progressively lovely on screen.
There are a couple of issues however that keep the motion picture from tackling significance - the token motion to incorporate the Sri Lankan attacks on Indian fishermen appears to be an untimely idea, the stereotyping of the African kidnappers and the many irritating continuity issues. Likewise, for a man who gives intelligent replies to his friends concerning why he wouldn't like to experience passionate feelings for, Maryan's difference in heart is a piece too speedy and unconvincing.
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