Director: Vetrimaran
Rating: 8/10 IMDb
Released On: 14 January 2011
Produced by: S. Kathiresan
Distributed by: Sun Pictures
Music By: G. V. Prakash Kumar
Running Time: 2hrs 40min
Distributed by: Sun Pictures
Music By: G. V. Prakash Kumar
Running Time: 2hrs 40min
Language: Tamil
Cast:
- Dhanush named "K. P. Karuppu"
- Taapsee Pannu named "Irene (Dubbed by Andrea Jeremiah)"
- Kishore named "Durai"
- Naren named "Rathnasamy"
- V. I. S. Jayapalan named "Periyasamy/Pettaikaran"
Adukalam Movie Songs Download: Click Here
Movie Story: Aadukalam is a Tamil film released on 14 January 2011. The picture is coordinated by Vetrimaaran and starring as Dhanush and Aadukalam Naren as lead characters.
Movie Review: Polladhavan mix of director Vetrimaaran, music executive G V Prakash and cinematographer Velraj with actor Dhanush and Kishore are back once again in one of the main releases of 2011. In Aadukalam, Vetrimaaran takes to Madurai setting and chicken battles to tell his story in an unmistakable way which makes his enterprise stand apart tall and high from the rest of the yield.
Rearing roosters, keeping up them and utilizing them for battles is a lifestyle and a matter of respect and lifesaver to numerous individuals. In such an apartment, Pettaikaarar (Jayabalan) drives an entirely good existence with his key associates Durai (Kishore) and Karuppu (Dhanush) alongside others. His primary enemy in chicken battles is Rathinam, the police controller. Pettaikaarar is known to have a perfect reputation of accomplishments with regards to chicken battles particularly with Rathinam's.
The major in addition to the purpose of Aadukalam is its quality in characterization. Nowhere in the movie will you discover the characters swaying. Vetrimaaran demonstrates that he is after each of the capable raconteurs with an eye for subtleties. Each scene substantiates his endeavors. The measure of enumerating particularly relating to the chickens needs approvals which by chance legitimizes the extensive stretch in making.
G V Prakash's music lifts Aadukalam and intensifies the impact over the group of audience. Melodies are appropriately put and none of them are devised. While Otha syllable makes the crowd boogie, Ayyayo and Yathe's song enchants them. His BGM during the pre-interim chicken battle gradually arriving at the crescendo signifies the tension remainder and the spiraling free for all. The activity grouping in the peak is reasonable and believable. Velraj's camera goes to the niche and corner of Madurai territories and sucks in the group of the audience to the film.
In the Aadukalam film is an attempt that requires grateful where the director has hacked his way through the way less trodden easily. Aadukalam emphasizes that Vetrimaaran has a place with the filmmakers who have understood the semiotics of film making perfectly.
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